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Dale R DuVall's avatar

Q.?

Are subscribers' replies welcome or is this privilege reserved for staff? I have mixed emotions as I'd hate to see this turn into a "circus" of opinions, but I also think it might add to the participation of those of us with enough interest to subscribe.

Dale

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Thomas Martin's avatar

You are welcome to reply. Civility preferable, of course, as you suggest.

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Chris L's avatar

A Tonearm Question -

We have see for decades linear tracking tonearms. Different versions & different technologies. Yet - they have never really met with general use on turntables. What have been the challenges in linear tracking tonearms in the audiophile world?

Thank you, CHRIS

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Ron Stafford's avatar

Here’s an interesting discussion with Michael Fremer and JR Boisclair on linear tonearms https://youtu.be/F-jwc5qpnjY?si=_qcFDss0oHCDYPMk

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Chris L's avatar

Thanks for the link... As with most engineered solutions, there have to be compromises.

CHRIS

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Henrik Nissen Ravn's avatar

For my SME 20/2A (with Series V arm) I’m currently using the Benz Micro LP-S. I’ve been very please with it, the evver so slightly warm tonality, its resolution, and not least soundstage. But since I’ve upgraded all of my system, except for the Benz, over the last 5-6 years (to Gryphon Legato/Pandora/Mephisto/VIP, MIT Oracle SHD 120 BW, and Revel Salons - and the SME) I’m considering upgrading the Benz. I was decided on the Koetsu Rosewood Signature Platinum due to its midrange to die for, but, alas, my dealer informed me that Koetsu has ceased.

Any viable suggestions?

Venligst

Henrik Nissen Ravn,

Copenhagen, Denmark

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