Exclusive to our Substack subscribers, we host a weekly Q&A every Monday. Our team of veteran writers, reviewers, and editors hand select a few to answer every Friday. Perhaps you’re having trouble with a specific amplifier, or desire a deeper understanding of transmission line speakers, from the general to the specific, post your questions here and come back on Friday to see them answered!
When it comes to oversampling, I seem to remember two key justifications given in The Complete Guide to High End Audio (previous edition): (1) it allows the brick-wall lopass filter to be moved far away from the audible range, and (2) some events in music require oversampling to be captured accurately.
When it comes to oversampling, I seem to remember two key justifications given in The Complete Guide to High End Audio (previous edition): (1) it allows the brick-wall lopass filter to be moved far away from the audible range, and (2) some events in music require oversampling to be captured accurately.
What are some examples of (2)?